Urbankiz Lady Saida

Conteo4/4 at urban-kiz tempo (~80–115 BPM); figure occupies one 4-beat phrase — frame release and weight-shift on count 1, follower’s lateral exit on counts 2–3, mark or transition on count 4. Salsa On1/On2 break structure does not apply.

Tiempo musicalUrban kizomba and ghetto zouk at 80–115 BPM; most comfortable at 90–105 BPM where the 4-beat phrase is long enough to articulate the release–exit–mark sequence without compression. Slower tempos (75–85 BPM) allow expanded follower musicality on count 4; faster passages (108–115 BPM) compress the exit to a single lateral step and leave minimal time for styling.

• Urban Kiz basic step executed in closed embrace
• Kizomba lateral hold and back connection awareness
• Weight-transfer sensitivity: ability to read a frame release without a hand pull

• ✕Leader signals with a hand pull rather than a frame release, overriding the body-to-body lead and habituating the follower to ignore embrace pressure changes.
• ✕Leader omits the rearward weight-shift on count 1, leaving no physical path for the follower to exit and causing hesitation or collision.
• ✕Follower anticipates and exits on count 1 before the frame release and weight-shift are established, disconnecting from the lead impulse.
• ✕Follower over-travels — taking three or more large steps — so the leader cannot reach a re-connection on count 4 from a stable anchor.
• ✕Either partner adds an unsignalled rotation, converting the lateral exit into a turn; the Lady Saida involves no rotation, and a spin substituted here constitutes a different figure.

• ≠Saída do Homem (Leader Saida): the complement figure in which the leader exits while the follower anchors — exiting partner and roles are fully reversed.
• ≠Mutual breakaway: a simultaneous, bi-directional separation initiated by both partners; the Lady Saida is a unilateral, specifically led exit for the follower only.
• ≠Lady turn / giro: a rotational figure cued by a raised-arm frame; the Lady Saida is lateral, not rotational, and requires no arm-raise lead.

• Portuguese-speaking scenes (Portugal, Angola, Brazil)

  Saída

  Root term; 'saída' means 'exit' in Portuguese. Extended form 'Saída da Mulher' (Lady's exit) also used by some instructors.

• French-speaking Urban Kiz scenes (France — Paris, Lyon; Belgium — Brussels)

  Saída

  Portuguese designation retained wholesale; accent sometimes dropped in informal written contexts ('Saida'). No established French-language equivalent.

• International English-language festival circuit

  Lady Saida

  Compound form bridging English 'Lady' with Portuguese 'saída'; the most common form in English-language instructional materials and event programmes.