Salsa Catorce
Number-named call in the Cuban Rueda de Casino tradition
SalsaLevel: Improver2 min read4 citations
Salsa Catorce — catorce is Spanish for "fourteen" — is a number-named figure call from Rueda de Casino, the Cuban round form in which a caller announces each figure and every couple dances it in unison while rotating partners around a shared circle.[1] The number is a label, not a measurement: as with the other numeric calls in a casino repertoire, where figures are catalogued and called by name, "catorce" is shorthand for one specific sequence of turns and partner passes rather than an instruction to dance fourteen steps or to fill a fourteen-count phrase.[2]
No single standard form
Because rueda calls pass from teacher to student by ear and are codified differently from one school to the next, there is no single standardized "Catorce"; the exact pattern a couple performs depends on the local rueda dictionary, and the term is absent from the slot-based Los Angeles On1 and New York On2 vocabularies, which organize and name their figures differently.[3] The distinction is structural as well as nominal: casino travels in a rotating circle whose geometry continually recombines the couples, whereas Los Angeles and New York style salsa run back and forth along a fixed linear slot, so the partner-passing logic a number like "catorce" encodes has no direct equivalent in the line forms.
Built on the casino basic
In execution the figure rests on the casino foundation: the circular "a tiempo" basic that breaks on the first beat of each measure, together with the dile-que-no and enchufla building blocks from which most casino calls are assembled, with the leader launching from the open basic, redirecting the follower across the circle in a roughly half-turn exchange of places, and resolving the couple back to a closed hold before the caller's next figure.[4]
How it's danced
Lead and follow cues
CountCasino timing, a tiempo: the basic breaks on counts 1 and 5 across the 8-count phrase (one break per measure), danced in casino's circular structure rather than the LA/NY slot.
Lead
Launching from the guapea (the casino open basic), the leader breaks back on his left foot on count 1 and rocks the a-tiempo basic. Over 1-2-3 he signals the named call and opens the couple roughly a quarter turn; over 5-6-7 he redirects the follower across the circle with a dile-que-no-style lead, completing to about a 180° exchange of places and resolving to an open or closed hold. The figure layers its turns onto this casino frame, and the exact sequence depends on the rueda school.
Follow
The follower mirrors on opposite feet: as the leader breaks back on his left on count 1, she breaks back on her right (both stepping apart), staying on the a-tiempo basic. Over 1-2-3 the couple opens; led across the circle, she travels on the following counts rather than off the count-1 break, turning roughly 180° in total over 5-6-7 to re-face the leader and closing to hold.
Song timingComfortable on son montuno and timba tracks around 150-185 bpm danced a tiempo; rueda is often run to driving timba where 190+ bpm is the fast end. Slower son suits learning the call before taking it to social tempo.
Learn first
Prerequisites
- Casino a-tiempo basic (guapea)
- Dile que no (casino partner exchange)
- Enchufla
- Comfort dancing in a rotating rueda circle rather than along a slot
Watch out
Common mistakes
- Under-rotating the exchange so the couple stops short of the ~180° place-swap and crowds the circle.
- Stepping forward on the count-1 break instead of breaking back from the guapea, which jams the lead and collides with the partner.
- Trying to dance the call down a straight slot; casino's exchange travels around a circle, not a line.
- Treating 'Catorce' as one fixed pattern across rueda schools and clashing with the caller's intended figure.
Don't confuse with
Easily confused moves
- Setenta and other number-named casino calls — distinct figures, not interchangeable with Catorce.
- Reading 'catorce' literally as 'fourteen steps' or a fourteen-count phrase — the number labels the call, not a step count.
- Cross-body lead and other slot-salsa figures of the LA On1 / NY On2 traditions — a different naming system and a different floor geometry.
Around the world
Other names
Cuba (Rueda de Casino)
Catorce
Number-named caller's figure within the casino round; the exact pattern varies by rueda school and travels with the repertoire wherever Cuban rueda is danced (e.g. the Miami rueda scene).
References
- 1.All Cuban Moves - SalsaSelfie — salsaselfie.com
- 2.Salsa Dance Terms - Salsa Vida — www.salsavida.com
- 3.Dance Move Names you should know - Salsa Forums — www.salsaforums.com
- 4.Library of Dance - Salsa — www.libraryofdance.org
How to cite this article
Choose a style and copy the citation.
Bailar Editorial Team. (2026). Salsa Catorce. Bailar Biblioteca. Retrieved June 29, 2026, from https://bailar.site/biblioteca/move/salsa-catorce
Bailar Editorial Team. “Salsa Catorce.” Bailar Biblioteca, 2026, bailar.site/biblioteca/move/salsa-catorce. Accessed 29 June 2026.
Bailar Editorial Team. “Salsa Catorce.” Bailar Biblioteca. Accessed June 29, 2026. https://bailar.site/biblioteca/move/salsa-catorce.
@misc{bailar-move-salsa-catorce, author = {{Bailar Editorial Team}}, title = {{Salsa Catorce}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://bailar.site/biblioteca/move/salsa-catorce}, note = {Accessed: 2026-06-29} }
Editor-in-Chief: Paul Thomas Plawin
How we research & review these articles