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Suzy Q (In and Out)

A foundational salsa footwork shine danced with an in-and-out traveling swivel

SalsaLevel: Beginner2 min read7 citations

The Suzy Q is a foundational salsa shine — a solo footwork pattern danced during the open breaks, when partners briefly release each other, rather than a led figure. Its signature is a quiet, twisting action: the dancer pivots on the balls of both feet and lets the heels swing out and back, scissoring the legs to carry the body sideways. Like much of the shine vocabulary, the step predates salsa itself, descending from a 1930s novelty social-dance figure that passed through the Big Apple and Lindy Hop before being absorbed into the salsa shine catalogue.[1] That unusual lineage has earned the move its own small body of dance-history writing, which traces where the step came from and the debated question of who the "Suzy Q" of the name actually was.[2]

Execution. Keep the torso square and still and the feet close together, then swivel on the balls of both feet so the heels swing out and in, changing weight from one foot to the other; the legs cross and uncross in a scissor-like twist that travels the body sideways while the upper body stays quiet.[3] The "in and out" framing applies that same heel-swivel to carry the body toward a center point and then back away from it, reading as a controlled in-and-out shuffle rather than a fixed-spot twist.

Timing and variations. The figure is taught with multiple variations spanning both On1 and On2 phrasings, the swivels landing on the weight-changing beats of each measure.[4] In Cuban Casino it survives in the same form — an open footwork shine danced away from the partner — and keeps the same name.[5]

Naming. Across English-language linear scenes — Los Angeles On1 and New York On2 alike — the figure is catalogued under a standardized shine name: the swing-era "Suzy Q" (also spelled "Suzie Q" or "Susy Q"), carried over intact into salsa's shine glossaries.[6] One caution follows from that label: "In and Out" is also the English name of the Copa, an entirely different led partner figure named after the Copacabana nightclub in New York. Despite the shared name, the Copa and the Suzy Q are not the same move and should not be conflated.[7]

How it's danced

Lead and follow cues

CountOn1 footwork shine — the swiveling weight changes fall quick-quick-slow on 1-2-3 and again on 5-6-7, with counts 4 and 8 held while the feet collect.

Lead

Release the partner hold and open into a shine; keeping the torso square, swivel on the balls of both feet so the heels swing out then back in, transferring weight to travel sideways in a twisting, scissor-like action. For the in-and-out version, carry the swivel inward toward the partner across the first measure (weight changes on 1-2-3) and reverse it back outward across the second (5-6-7), collecting the feet on the held 4 and 8. No connection is given — timing is shared visually.

Follow

Take no lead — dance the footwork independently, mirroring the leader on the opposite foot. Keeping the torso square, swivel on the balls of both feet so the heels swing out then back in, travelling sideways. Move inward across the first measure (weight changes on 1-2-3) and back outward across the second (5-6-7), collecting the feet on the held 4 and 8.

Song timingComfortable at moderate social-salsa tempos, roughly 150-185 bpm, where the heels can collect cleanly on the held beats; around 190+ bpm sits at the fast end and the swivel travel must shorten to stay on time. Sits well over most son- and mambo-feel salsa.

Learn first

Prerequisites

  • Salsa basic step and confident timing (On1)
  • Comfort dancing shines/footwork without a partner connection
  • Ability to pivot and swivel on the balls of both feet while transferring weight

Watch out

Common mistakes

  • Rotating the torso or twisting from the hips instead of keeping the upper body quiet and generating the travel from the heel and ankle swivel.
  • Lifting or stepping the feet rather than pivoting on the balls of both feet, which loses the smooth scissor-like travel.
  • Rushing ahead of the music — the weight changes should land on 1-2-3 and 5-6-7 with the heels collected on the held 4 and 8.
  • Waiting for a lead; it is a solo shine danced independently once the hold is released, not a led partner figure.
  • Confusing it with the Copa 'In and Out' partner pattern and grafting on a turn that is not part of the footwork.

Don't confuse with

Easily confused moves

  • Copa / 'In and Out': a distinct LED partner turn pattern in which the follower is brought in toward the leader and back out, named after the Copacabana nightclub — it shares the 'In and Out' label but is not the Suzy Q footwork shine.
  • 'Cruzado' / 'paso cruzado' (Spanish for 'cross step'): a generic footwork descriptor, not an attested name for the Suzy Q.
  • 'Susie Q', the 1957 rockabilly song: unrelated to the dance step despite the shared name.

Around the world

Other names

  • English-language linear salsa scenes (Los Angeles On1, New York On2; Puerto Rico and Miami follow the same usage)

    Suzy Q (also spelled Suzie Q, Susy Q)

    An imported swing/jazz-era term; the same name carries across most slot-based salsa scenes rather than each scene coining its own — its near-universality is the notable feature.

  • Cuban Casino (Cuba and casino scenes)

    Suzy Q / Susy Q

    Danced as an open footwork shine; the English name is retained.

References

  1. 1.Suzie Q (dance move)Wikipedia contributors, Wikipedia
  2. 2.Who The Hell Was Suzy Q? - Salsa Intoxica Dance Studiosalsaintoxica.com
  3. 3.How to Do the Suzy Q Salsa Dance Stephowcast.com
  4. 4.Salsa Shines: 7 Suzie Q Variations (On1 & On2) - Dance Dojothedancedojo.com
  5. 5.Cuban Salsa: Suzy Q - SalsaSelfie.comsalsaselfie.com
  6. 6.Dance Move Names you should know - Salsa Forumswww.salsaforums.com
  7. 7.The Copa Salsa / Mambo Step – It's historical origins and namesalsafreak.com

How to cite this article

Choose a style and copy the citation.

APA

Bailar Editorial Team. (2026). Suzy Q (In and Out). Bailar Biblioteca. Retrieved June 29, 2026, from https://bailar.site/biblioteca/move/salsa-in-and-out-suzy-q

MLA

Bailar Editorial Team. “Suzy Q (In and Out).” Bailar Biblioteca, 2026, bailar.site/biblioteca/move/salsa-in-and-out-suzy-q. Accessed 29 June 2026.

Chicago

Bailar Editorial Team. “Suzy Q (In and Out).” Bailar Biblioteca. Accessed June 29, 2026. https://bailar.site/biblioteca/move/salsa-in-and-out-suzy-q.

BibTeX

@misc{bailar-move-salsa-in-and-out-suzy-q, author = {{Bailar Editorial Team}}, title = {{Suzy Q (In and Out)}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://bailar.site/biblioteca/move/salsa-in-and-out-suzy-q}, note = {Accessed: 2026-06-29} }

Editor-in-Chief: Paul Thomas Plawin

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