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Saca la Prima

Cuban casino / Rueda de Casino partner-fetch figure

SalsaLevel: Improver2 min read5 citations

Saca la Prima is a partner-fetch figure of Rueda de Casino, the Cuban circular group dance in which couples arranged in a wheel break together on a caller's command and rotate partners as each figure unfolds; within the casino repertoire it is documented alongside the related Sacala and Prima calls.[1] Its defining action is a circulating leader who steps out of his own couple to draw in a follower from the neighbouring pair — the prima, or 'cousin,' that the call names — which makes the move one of the wheel's partner-circulating mechanisms and sets it beside the other 'saca' (fetch) calls that reach outside the dancing couple.

Name and lineage

The call pairs the imperative saca — 'bring out' or 'take out' — with prima, the Spanish word for a female cousin, a kinship nickname callers apply to the follower fetched from outside the leader's own couple.[1] Many casino programs abbreviate the figure to Prima, where it heads a broader Prima family of partner moves; the fuller Saca la Prima simply spells out the fetching action that the short name leaves implicit.[2]

Execution

Two casino fundamentals carry the figure: the guapea basic and the enchufla, casino's signature changing-places pass.[5] The leader opens from guapea, leads the partner across his front as in an enchufla, and displaces himself counter-clockwise around the rim to collect the neighbouring follower, resolving into either a momentary three-person shape or a completed exchange. Timing is set to the casino frame: the dance is performed a tiempo, breaking on the downbeat, over a two-measure basic with one break per measure, and the fetch is keyed to the enchufla's place-change so the leader meets the new follower in step with the rest of the wheel. Because casino orbits a shared centre rather than travelling a fixed straight track, each leader's displacement must stay synchronized for the rueda to hold its circular shape.[5]

Variations

A documented extension, Prima con la Hermana ('cousin with the sister'), draws in a second follower, so the leader briefly handles two partners before the next dame call sends them onward around the wheel.[3]

Scope and classification

Reference guides catalogue Saca la Prima among partner salsa movements rather than as a solo or footwork pattern,[4] and it circulates internationally under its Cuban Spanish call — taught by name rather than relabelled scene by scene.[1]

How it's danced

Lead and follow cues

CountCasino a tiempo (Cuban, on the downbeat): a two-measure basic that breaks once per measure on count 1; steps land on 1-2-3 and 5-6-7 with weight changes on the held 4 and 8. The cross-and-fetch is led on the second measure (5-6-7). Casino does not use the slot-based On1/On2 count.

Lead

From the casino open basic (guapea), the leader breaks on count 1. On the second measure (5-6-7) he raises the joined right hand and leads the follower across his front while he steps counter-clockwise around the circle to the adjacent position, changing places with her; in a rueda he then releases toward the next follower ('la prima') on the following dame call. He keeps the opposite foot to the follower throughout and changes weight on the held beats (4 and 8).

Follow

Mirroring the leader with the opposite foot, the follower breaks on count 1 (not a forward break). Led across the leader's front on 5-6-7, she steps into the cross turning roughly 90° clockwise on 5-6, then completes about another 90° on 7 to re-face her partner — a ~180° change of places — settling her weight on the held beat. She travels through the opening on the later counts, never as a count-1 forward break.

Song timingComfortable at typical casino, son, and salsa tempos, roughly 150-185 bpm; the cross-and-fetch tightens above ~190 bpm — the fast end for social rueda — where leaders shorten the travel. Danced a tiempo on the downbeat and read against a clear two-bar phrase; suits son, salsa, and timba.

Learn first

Prerequisites

  • Casino basic step (guapea / open basic)
  • Enchufla (changing-places pass)
  • Dile que no (basic separation)
  • Dame (rueda partner-change call)

Watch out

Common mistakes

  • Under-rotating the follower's enchufla cross so she finishes side-on instead of completing the ~180° to re-face her partner.
  • Leading the cross on count 1 rather than on the second measure (5-6-7), collapsing the two-measure timing.
  • The follower taking a forward break on count 1 instead of mirroring the leader's break and travelling through on the later counts.
  • Breaking inconsistently off the downbeat (a tiempo) so the rueda falls out of phase.
  • Failing to circulate counter-clockwise to the adjacent position, so the fetch or exchange never displaces around the circle.
  • Forcing the follower's turn counter-clockwise against the clockwise enchufla lead.

Don't confuse with

Easily confused moves

  • Sácala / Saca — the shorter rueda call to send or take a follower out; Saca la Prima specifies fetching the 'cousin' follower.
  • Prima con la Hermana — the extension that adds a second follower ('the sister'); a related variation, not the base figure.
  • Dame — the generic rueda partner-change call; Saca la Prima is a specific fetch, not the plain rotation.
  • Paso cruzado / cruzado ('cross step') — names FOOTWORK, a literal translation, not a name for this figure.
  • Cross-body lead (LA On1 / NY On2 slot salsa) — a linear slot figure; casino's circulating fetch is not a slot cross-body.

Around the world

Other names

  • Cuba (casino / Rueda de Casino)

    Saca la Prima

    Origin; the Cuban Spanish rueda call, used unchanged by rueda groups worldwide.

  • Casino / rueda instruction (e.g. Salsa Yo)

    Prima

    Commonly shortened to 'Prima' within the Prima family of calls.

References

  1. 1.Salsaddiction Rueda de Casino Wikiruedawiki.org
  2. 2.Prima | Salsa Yosalsayo.com
  3. 3.Prima-Con-La-Hermana | Salsa Yosalsayo.com
  4. 4.Prima Con La Hermana | Salsa Lustsalsalust.com
  5. 5.Learn Cuban Salsa Online For Free | Dance Papidancepapi.com

How to cite this article

Choose a style and copy the citation.

APA

Bailar Editorial Team. (2026). Saca la Prima. Bailar Biblioteca. Retrieved June 29, 2026, from https://bailar.site/biblioteca/move/salsa-saca-la-prima

MLA

Bailar Editorial Team. “Saca la Prima.” Bailar Biblioteca, 2026, bailar.site/biblioteca/move/salsa-saca-la-prima. Accessed 29 June 2026.

Chicago

Bailar Editorial Team. “Saca la Prima.” Bailar Biblioteca. Accessed June 29, 2026. https://bailar.site/biblioteca/move/salsa-saca-la-prima.

BibTeX

@misc{bailar-move-salsa-saca-la-prima, author = {{Bailar Editorial Team}}, title = {{Saca la Prima}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://bailar.site/biblioteca/move/salsa-saca-la-prima}, note = {Accessed: 2026-06-29} }

Editor-in-Chief: Paul Thomas Plawin

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