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Salsa Suzy Q Back Step

A swivel-footwork salsa shine (Suzie Q / Susie Q) and its back-step variant

SalsaLevel: Improver2 min read8 citations

The Suzy Q is one of salsa's staple shines — a passage of solo footwork danced during a break from the partner connection — and its signature is a swivelling, crossing action of the feet that lets a dancer ornament the breaks while travelling sideways across the floor.[1] It is footwork rather than figure: there is nothing to lead, only a crisp twist of the feet that reads cleanly at the brisk tempos of social salsa.

Origins

Salsa did not invent the step. It began as a 1936 novelty dance and circulated through the Big Apple and Lindy Hop before salsa folded it into its shine vocabulary, which is why the same figure surfaces across several otherwise-unrelated dance traditions.[2]

Footwork and travel

Weight stays over the balls of both feet while the heels and toes swivel in alternation, one foot crossing past the standing leg so the body drifts sideways in small, even increments.[3] In the back-step variant the crossing foot travels behind the standing leg rather than in front, turning the same swivel into a backward-and-lateral path instead of a purely sideways one.[4] The practical cues follow from this: keep the swivel small, the weight forward over the balls of the feet, and let the alternating heel-and-toe twist — not a long stride — do the travelling. Because a shine is performed rather than led, both partners execute the figure independently, most often once the cross-body slot has been released.[5]

Timing

The swivels fall on the stepping counts — 1-2-3 and 5-6-7 — with the usual rhythmic break on counts 4 and 8; instructors document the step in both On1 and On2 framings, the On2 reading displacing every action one beat later.[6]

Names across scenes

Los Angeles On1 and New York On2 cross-body dancers know the figure by the English spelling 'Suzie Q', while Cuban casino dancers retain the same step under the same name, 'Suzy Q' — a continuity that signals how far the move has travelled between linear and circular salsa.[7] Across all of these scenes its appeal is consistent: low, controlled travel and the clear visual twist of the feet, which stays legible even at the quick tempos common on the social floor.[8]

How it's danced

Lead and follow cues

CountShine over the salsa 8-count. On1: swivels fall on the stepping counts 1-2-3 and 5-6-7, with the pause on 4 and 8. On2: the same actions shift one beat later (active on 2-3-4 and 6-7-8). Both timings are attested for this figure.

Lead

Performed solo as a shine, not led — usually after releasing the partner. Keep weight on the balls of both feet; cross one foot behind/past the standing leg, then swivel — heels twist one way, toes the other — to drift sideways and slightly back, recovering toward the standing leg. On1: active on counts 1-2-3 and 5-6-7, with a hold/tap on 4 and 8. On2: the same sequence shifted one beat later. Keep the upper body quiet and the travel small.

Follow

Identical footwork, performed independently — this is a solo shine, not a led figure. Weight on the balls of the feet; cross behind/past the standing leg and swivel heels-and-toes to travel sideways and slightly back, then recover. Same count placement as the leader: On1 active on 1-2-3 and 5-6-7 with holds on 4 and 8; On2 shifts the whole sequence one beat later.

Song timingComfortable across the social-salsa range, roughly 150-185 bpm, where the heel-and-toe swivels read cleanly; 190+ bpm is the fast end where the twists begin to blur. Works in both On1 (active on 1-2-3 and 5-6-7) and On2 (the same actions one beat later).

Learn first

Prerequisites

  • Salsa basic step with on-time weight transfer
  • Comfort dancing shines (solo footwork) released from the partner
  • Balancing and swivelling on the balls of the feet

Watch out

Common mistakes

  • Dropping the heels flat onto the floor, which kills the swivel and the sideways travel
  • Letting the swivels fall off the beat instead of on the stepping counts (1-2-3 and 5-6-7)
  • Travelling too far or too fast and drifting out of position, then rushing the recovery
  • Stiffening or bouncing the upper body instead of keeping it quiet over the moving feet
  • Forgetting the one-beat shift when switching from On1 to On2, so the swivels land on the wrong beat

Don't confuse with

Easily confused moves

  • Lindy Hop / Big Apple Suzie Q — the shared ancestor, but danced with swing styling and timing rather than salsa shine timing
  • Plain cross step / paso cruzado footwork — a simple crossing step without the defining heel-and-toe swivel
  • Forward or travelling Suzy Q — the in-front-crossing version, whereas the back step crosses behind and drifts backward
  • Cross-body lead — a partnered figure, not a solo footwork shine, despite both involving a 'cross'

Around the world

Other names

  • Cuban casino (Cuban-style salsa)

    Suzy Q

    Same figure and name as the cross-body styles; attested in Cuban footwork instruction.

  • Los Angeles (On1) and New York (On2) cross-body salsa

    Suzie Q

    Standard English name; danced as a solo shine in both timings.

  • General / global salsa

    Suzie Q / Suzy Q / Susie Q

    Interchangeable spellings of one name; the move keeps its English name across scenes rather than acquiring distinct local ones.

  • Lindy Hop / Big Apple (ancestral lineage)

    Suzie Q

    1936 novelty-dance origin from which the salsa shine descends; styling and timing differ.

References

  1. 1.Salsa Shines: 7 Suzie Q Variations (On1 & On2) - Dance Dojothedancedojo.com
  2. 2.Suzie Q (dance move)Wikipedia contributors, Wikipedia
  3. 3.Fawakaa - Salsa Dancing Footwork: How to Do the Suzie Q Stepfawakaa.com
  4. 4.Cuban Salsa: Suzy Q - SalsaSelfie.comsalsaselfie.com
  5. 5.Salsa Moves List - Dance Dojothedancedojo.com
  6. 6.Salsa Shines: 7 Suzie Q Variations (On1 & On2) - Dance Dojothedancedojo.com
  7. 7.Cuban Salsa: Suzy Q - SalsaSelfie.comsalsaselfie.com
  8. 8.Dance Central - Salsa Techniquewww.dancecentral.info

How to cite this article

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APA

Bailar Editorial Team. (2026). Salsa Suzy Q Back Step. Bailar Biblioteca. Retrieved June 29, 2026, from https://bailar.site/biblioteca/move/salsa-suzy-q-back-step

MLA

Bailar Editorial Team. “Salsa Suzy Q Back Step.” Bailar Biblioteca, 2026, bailar.site/biblioteca/move/salsa-suzy-q-back-step. Accessed 29 June 2026.

Chicago

Bailar Editorial Team. “Salsa Suzy Q Back Step.” Bailar Biblioteca. Accessed June 29, 2026. https://bailar.site/biblioteca/move/salsa-suzy-q-back-step.

BibTeX

@misc{bailar-move-salsa-suzy-q-back-step, author = {{Bailar Editorial Team}}, title = {{Salsa Suzy Q Back Step}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://bailar.site/biblioteca/move/salsa-suzy-q-back-step}, note = {Accessed: 2026-06-29} }

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