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Setenta

Cuban casino combination figure — the behind-the-back 'seventy'

SalsaLevel: Intermediate2 min read2 citations

Setenta is one of the core combination figures of Cuban casino — the circular partner style at the root of much modern salsa. Danced a tiempo (on the beat), it is recognizable by a single signature gesture: the leader passes the follower's right hand behind his own back and holds it there before the pair unwind. Its name is simply the Spanish word for 'seventy,' assigned in the rueda tradition of labeling figures by number rather than by description.

Like the highly evolved, specialized dance forms that keep their own elaborate movement terminology,[1] casino maintains a working glossary of figures — a shared vocabulary of called names that operate as terms in their own right, distinct from the names of the dances themselves.[2] 'Setenta' is one such called name: on the floor it denotes a fixed sequence rather than a single step.

Execution

The figure runs as a continuous loop through three familiar building blocks. From open hold, the leader opens the follower across the circle in an enchufla, drawing her past him; as she comes around, he catches her right hand and carries it behind his own back, keeping it there through a second turn. That held, wrapped hand is the figure's signature — the 'lassoed' quality that separates Setenta from a plain enchufla. He then releases the hand and closes the pattern with a dile que no, returning both partners to open position and back onto the count. Because every joint is a standard casino element, instructional treatments emphasize clean execution and timing — passing and recovering the trapped hand without breaking the beat.

Variations and regional usage

Setenta heads a numbered family of related patterns. A contemporary reworking circulates as Setenta Nuevo, which updates the classic sequence for modern casino, while a Miami reading of the figure resolves not with the usual dile que no but with an enchufla complicado. Across these scenes the name itself stays put: Cuban, Miami, and European casino dancers all retain 'Setenta' in the original Spanish rather than translating or relabeling it, so a called Setenta denotes the same figure wherever casino is danced.

How it's danced

Lead and follow cues

CountCuban casino, danced a tiempo — partners break on 1 (and 5). The combination spans roughly three 8-counts: enchufla, the behind-the-back hand wrap, a second enchufla to unwind, then the dile que no resolution on the final phrase.

Lead

From open hold with the follower's right hand in his left, the leader breaks back on the left foot a tiempo on 1. He leads an enchufla, walking the follower across the circle; as she turns to re-face, he passes her right hand into his right and carries it behind his back — the wrap that names the figure — offering his free left hand in front. He leads a second enchufla to unwind the trapped arm, then resolves with a dile que no, opening the follower back to the start. The held hand stays low and the lead is a continuous arc around a shared center, never a straight-line pull.

Follow

The follower mirrors the leader, breaking back on the right foot on 1 — opposite foot, same direction away from the partner. On the enchufla she walks forward across his front and turns roughly a half-turn to re-face as her right hand is drawn behind his back, following the wrap without gripping and letting the arm settle low. She takes the offered left hand in front, turns again on the second enchufla as the arm unwinds, and completes the dile que no by crossing back to open hold. Her travel comes from walking the circle, not from forcing the spin.

Song timingComfortable in mid-tempo son and salsa around 150-185 bpm, where the hand wrap has room to settle a tiempo. Above ~190 bpm the behind-the-back pass must be kept compact, so faster timba is the demanding end rather than the comfortable one. Danced on the 1.

Learn first

Prerequisites

  • Casino basic / guapea (a tiempo)
  • Enchufla
  • Dile que no
  • Comfort with behind-the-back hand changes

Watch out

Common mistakes

  • Gripping the trapped hand so tightly that the wrap cannot unwind, blocking the second enchufla.
  • Passing the follower's hand behind the back too high, catching her arm awkwardly instead of keeping it low.
  • Abandoning the circular travel and pulling the follower in a straight line, which collapses the figure's shape.
  • Rushing the wrap ahead of the beat instead of keeping each step a tiempo on 1.
  • Over-rotating the enchufla past the face-off so the follower loses the partner before the resolution.
  • Omitting the closing dile que no, leaving the follower wound up rather than returned to open hold.

Don't confuse with

Easily confused moves

  • Enchufla — Setenta contains an enchufla but is the larger wrapped combination, not the single switch.
  • Paso cruzado / cruzado — 'cross step' footwork, not this figure.
  • Setenta complicado / Setenta moderno — related but distinct named variations, not the base Setenta.
  • Ochenta ('80') — a different numbered casino figure.
  • Cross-body lead — the linear LA/NY slot figure; Setenta is circular casino, not the CBL.
  • 'Setentas' (2020) — a studio album by Pepe Aguilar, unrelated to the dance figure.

Around the world

Other names

  • Cuba — casino / rueda de casino

    Setenta

    Original Cuban name; '70' in the rueda's numbered-figure tradition

  • Miami casino scene

    Setenta

    Cuban name retained unchanged

  • European casino scenes (e.g. Spain, Italy)

    Setenta

    Name travels untranslated with the Cuban repertoire

References

  1. 1.Glossary of partner dance termsWikipedia contributors, Wikipedia
  2. 2.Glossary of partner dance termsWikipedia contributors, Wikipedia

How to cite this article

Choose a style and copy the citation.

APA

Bailar Editorial Team. (2026). Setenta. Bailar Biblioteca. Retrieved June 29, 2026, from https://bailar.site/biblioteca/move/setenta

MLA

Bailar Editorial Team. “Setenta.” Bailar Biblioteca, 2026, bailar.site/biblioteca/move/setenta. Accessed 29 June 2026.

Chicago

Bailar Editorial Team. “Setenta.” Bailar Biblioteca. Accessed June 29, 2026. https://bailar.site/biblioteca/move/setenta.

BibTeX

@misc{bailar-move-setenta, author = {{Bailar Editorial Team}}, title = {{Setenta}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://bailar.site/biblioteca/move/setenta}, note = {Accessed: 2026-06-29} }

Editor-in-Chief: Paul Thomas Plawin

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