Tango Parada

The lead-initiated stop in Argentine tango

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The parada — Spanish for 'stop' — is a fundamental arresting figure in Argentine tango in which the leader halts the follower's travel, typically during a walk or a giro.[1] The lead is given chiefly by stopping the body through the embrace and is marked by extending one foot to meet the side or instep of the follower's stepping foot, so the contact confirms the stop rather than displacing her.[2] The follower settles her weight and leaves the touched foot extended and unweighted, and the figure most often serves as a preparation that resolves into a pasada, in which she steps over the leader's extended foot.[3] Paradas also appear within turning patterns such as the half-turn.[4] Because Argentine tango is an improvised leader–follower dance rather than a counted pattern, the parada carries no fixed beat; it is placed within the musical phrase to mark a pause or accent.[5] The movement belongs to the social tango that took shape along the Río de la Plata, in the suburbs of Buenos Aires, at the end of the 19th century.[6] Its vocabulary spread with the dance, and the Rioplatense term parada is retained in tango terminology worldwide, so the figure's name varies little by region.[7]

Cómo se baila

Señales para líder y seguidor

ConteoImprovised, not tied to a fixed beat or any On1/On2-style count. Argentine tango is walked within the music; the parada is placed to mark a musical pause or accent and is held as long as the lead and the phrase suggest.

Líder

Halt the body through the embrace to stop the follower's travel, then extend one foot to meet the side or instep of her stepping foot with light contact that marks the stop without kicking or pushing it; keep weight on the standing leg and withhold further intention so she settles. When led inside a giro, place the parada as her back or side step completes.

Seguidor

Sensing the leader's stopped body and the contact at the foot, arrest the step and settle the weight onto the standing leg, leaving the touched foot extended and unweighted; hold the shape with the axis quiet until led onward — most often into a pasada over the leader's foot.

Tiempo musicalBest suited to lyrical, breathing tango — orchestras such as Di Sarli or Calò — where a phrase ending or held accent invites a stop; it sits naturally at slow-to-mid social tempos. Driving, rhythmic playing (for example D'Arienzo) or a fast milonga leaves less room to hold the pause. Because the parada is a pause rather than a step pattern, it is tempo-flexible and least at home only in fast, relentless passages.

Aprende antes

Prerrequisitos

  • caminata (the tango walk) with controlled stopping
  • a stable abrazo (embrace) that can transmit the body stop
  • collecting the free leg cleanly to a settled axis
  • the giro/molinete for paradas led within a turn

Ten cuidado

Errores comunes

  • Leader kicking or shoving the follower's foot instead of meeting it lightly — the parada should arrest, not displace.
  • Leader weighting or lunging onto the extended foot and losing his own axis.
  • Follower transferring weight onto the touched foot, so it is no longer free for a pasada.
  • Leading with the foot alone without first stopping the body, giving the follower a contradictory signal.
  • Stopping the follower before she has collected, breaking her balance.
  • Rushing out of the stop instead of letting the pause breathe with the music.

No confundir con

Movimientos que se confunden

  • Pasada — the follower's step over the leader's extended foot; a separate figure that frequently follows a parada, not a synonym for it.
  • Sandwich / sanguchito / mordida — trapping the follower's foot between both of the leader's feet; related but a distinct figure.
  • Barrida / arrastre — a sweep or drag of the follower's foot; a different action, though sometimes chained with a parada.
  • Calesita — carouseling the follower around a standing axis; a different pause-based figure.
  • 'Parada' in everyday Spanish means a bus/transport stop; the dance term is not a literal footwork translation of any English step name.

Por el mundo

Otros nombres

  • Buenos Aires / Río de la Plata (Rioplatense Spanish)

    parada

    from parar, 'to stop'; the canonical term, adopted unchanged by tango communities worldwide

  • Tango scenes outside the Río de la Plata (Europe, North America, Asia)

    parada

    no distinct local translation; the figure is taught and named in Rioplatense Spanish, so unlike salsa figure-names the term does not diverge city by city

Referencias

  1. 1.Parada (dance move) - Wikipediaen.wikipedia.org
  2. 2.Paradas: general technique and three examples — Elizabeth Wartluftwww.elizabethwartlufttango.com
  3. 3.Argentine Paradas – Tango Topicstangotopics.com
  4. 4.Argentine Tango Lesson – The Half-Turn with Paradatango-space.com
  5. 5.The spectrum of distributed creativity: Tango dancing and its generative modalities.Michael Kimmel, Psychology of Aesthetics Creativity and the Arts, 2022
  6. 6.Argentine tango - Wikipediaen.wikipedia.org
  7. 7.TERMINOLOGY | Argentine Tango Vancouverargentinetangolab.com

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APA

Bailar Editorial Team. (2026). Tango Parada. Bailar Biblioteca. Recuperado el 29 de junio de 2026, de https://bailar.site/biblioteca/move/tango-parada

MLA

Bailar Editorial Team. “Tango Parada.” Bailar Biblioteca, 2026, bailar.site/biblioteca/move/tango-parada. Consultado el 29 de junio de 2026.

Chicago

Bailar Editorial Team. “Tango Parada.” Bailar Biblioteca. Consultado el 29 de junio de 2026. https://bailar.site/biblioteca/move/tango-parada.

BibTeX

@misc{bailar-move-tango-parada, author = {{Bailar Editorial Team}}, title = {{Tango Parada}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://bailar.site/biblioteca/move/tango-parada}, note = {Consultado: 2026-06-29} }

Editor en jefe: Paul Thomas Plawin

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