Tango Tijera

Las 'tijeras' — una ornamentación de cruce de piernas (firulete) en el tango argentino

Tango argentinoNivel: Intermedio1 min de lectura1 citas

El tango tijera — español para 'las tijeras' — es una figura decorativa de cruce de piernas en el tango argentino, que se sitúa entre los bailes de pareja catalogados que van desde estilos individuales hasta familias completas de formas relacionadas.[1] En su forma común, un/a bailador/a transfiere todo el peso a una pierna de apoyo y cruza la pierna libre sobre ella, las piernas trazando brevemente el contorno abierto y cerrado de una tijera antes de volver a una postura neutral. Es, con mayor frecuencia, un firulete — una ornamentación colocada por el líder dentro de una pausa sostenida — aunque también puede ser guiado al/ a la seguidor/a o entrelazado entre las piernas de ambos socios. Como descansa sobre un solo eje estable en lugar de desplazarse, la figura se sitúa contra las pausas y cadencias de la música en lugar de un pulso numerado fijo, y favorece a orquestas líricas sobre interpretaciones rápidas y staccato. Las formas y el énfasis varían entre maestros y linajes.

Cómo se baila

Señales para líder y seguidor

ConteoNot counted in fixed numbered beats; placed within the phrase, typically inside a held pause (la pausa), against the 2/4–4/4 tango pulse rather than on a numbered count.

Líder

Collect onto one standing leg and bring the partner to a stable shared axis inside a pause, keeping the embrace quiet. Then either cross the free leg over the standing leg as a personal firulete, or, through a small dissociation and a clear weight settle, indicate the follower's free leg to cross over hers — the working foot passing across so the legs trace a scissor — before collecting back to neutral and resuming the walk.

Seguidor

Stay tall over the standing leg and keep the embrace; do not anticipate. If the cross is the leader's own adornment, remain grounded and still on the shared axis through the pause. If it is led onto her, allow the free leg to cross over the standing leg on the settle — the working foot passing across to form the scissor — then collect back to neutral and continue, matching the moment the leader places it.

Tiempo musicalBest suited to lyrical, cadenced tangos with clear pauses — orchestras in the vein of Pugliese, Di Sarli, or Troilo at moderate social walking tempos, where the cross can be suspended in the music. Because it is held in the pause rather than driven on the beat, it sits awkwardly in fast, staccato D'Arienzo-style tangos and in milonga, which leave little room to hold the scissor.

Aprende antes

Prerrequisitos

  • La caminata — a grounded, balanced tango walk
  • La cruzada — comfort with the follower's cross
  • Single-axis balance held on one standing leg
  • Disociación — torso/hip dissociation
  • Free-leg control and the ability to dance and hold a musical pause

Ten cuidado

Errores comunes

  • Leaning or sitting into the cross instead of staying tall over the standing leg, so the axis collapses and the embrace is pulled off-balance
  • Anticipating or self-leading the cross (follower) rather than waiting for the settle that places it
  • Forcing the working leg with a tense, lifted hip instead of letting it cross from a relaxed dissociation
  • Turning a contained decorative cross into a large traveling step that disturbs the partner's axis
  • Hitting the cross hard on a beat rather than suspending it within the pause, which flattens its musicality

No confundir con

Movimientos que se confunden

  • Cruzada / la cruz — the structural cross of the feet in the salida and basic, a led collecting cross rather than this decorative scissor
  • Gancho — a leg hooking around the partner's leg; a catch, not a crossing-over
  • Sacada — a displacement stepping into the partner's vacated space, not a leg cross
  • Boleo / voleo — a whipped free-leg movement off a change of direction; a different dynamic, not a held cross
  • Sentada — a 'seat' figure in which one partner sits on the other's leg
  • 'Scissor' footwork in other dances (e.g. salsa or line-dance scissor steps) — unrelated movements that share only the name

Por el mundo

Otros nombres

  • Buenos Aires (Rioplatense, canonical)

    tijera

    also pluralized 'tijeras'; Spanish for 'scissors', after the crossing legs

  • Montevideo, Uruguay

    tijera

    same Rioplatense term shared across the Río de la Plata tango tradition

  • English-language classes

    the scissors

    occasional descriptive gloss; the Spanish 'tijera' remains the operative term

Referencias

  1. 1.List of dancesWikipedia contributors, Wikipedia, Lead section

Cómo citar este artículo

Elige un estilo y copia la cita.

APA

Bailar Editorial Team. (2026). Tango Tijera. Bailar Biblioteca. Recuperado el 29 de junio de 2026, de https://bailar.site/biblioteca/move/tango-tijera

MLA

Bailar Editorial Team. “Tango Tijera.” Bailar Biblioteca, 2026, bailar.site/biblioteca/move/tango-tijera. Consultado el 29 de junio de 2026.

Chicago

Bailar Editorial Team. “Tango Tijera.” Bailar Biblioteca. Consultado el 29 de junio de 2026. https://bailar.site/biblioteca/move/tango-tijera.

BibTeX

@misc{bailar-move-tango-tijera, author = {{Bailar Editorial Team}}, title = {{Tango Tijera}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://bailar.site/biblioteca/move/tango-tijera}, note = {Consultado: 2026-06-29} }

Editor en jefe: Paul Thomas Plawin

Cómo investigamos y revisamos estos artículos